Consoles like the Presonus have FireWire built in, so you can send your audio to computer and back also all digital via FireWire with a pretty well established driver and latency setup. Consoles with Waves cards connect to the computer via Ethernet for and all digital signal path and are optimized for low latency. Problem is, latency will be more complicated than with any console Waves card + computer system, you'll be adding an A-D-A, and you'll be at the mercy of your best choice of audio interface and driver configuration. Hook inserts up to the interface and you'll have on any console with inserts.
#ALLEN HEATH WAVES MULTIRACK NATIVE PLUS#
You could also set up a rack with an audio interface with 8 ins and 8 outs for example, plus computer with Waves MultiRack.
Using the Presonus for FOH would be the suggestion. I would love some insight / pictures / critiques / good jokes, but mostly just some understanding of how this Multirack Native product is actually used in the field. and I have files for all of those, but how could a person have a consistent experience without buying cards for each desk or something? Waves has their Multirack Native product which would seemingly make life easy.īut, here's my question how in the heck do people ACTUALLY do this? How do you integrate your outboard Waves Multirack "gear" (audio interface) with all these different formats now? Analog is one thing, but we get a few M7s, Avid/Digi consoles all the time, Digico stuff. I own Waves Diamond Native and would love to use that for my outboard.
The snap-shots would be SO helpful! But we can't really afford the time or the cost of taking an SC48 out on the road - or something similar. Now, I would LOVE to integrate Waves plugins into our setup we used a ton in studio, and because of the fact that most people in this band switch instruments and so, in effort to reign in the channel count, multiple mics are doing double or triple duty. 24 inputs, 8 people on stage and an LS9 stereo stage IEM rig that they control (with a passive split out to the House and my mics). I work for a touring band that does primarily 500 - 2500 person venues. I've been doing some brain cell crunching and I just can't figure out a real solution on this:
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